“Breezeway” Installation, August 2021 to March 2022
ArtPort Kingston, NY
Originally installed for UPSTATE WEEKEND ART FAIR 2022
Curated by Laurie De Chiara
My second installation at Artport Kingston titled “Breezeway”combines ink and acrylic drawing, in situ, with a series of oil paintings and 3D Lenticular media. The large drawing is a classic 60s interior, a very retro living room with the TV screen centrally placed. The overall subject is one of comfort, a living space, not exotic but accessible. It is gracious and welcoming.The image serves as a backdrop to our societal relationship to states of quarantine and a place we might demarcate as in-between screen-time and dream-time.
The angles within the room and the picture plane reference modernist architectural feats, such as Meis Van Der Rohe’s Barcelona Pavilion which was considered an, “ideal zone of tranquility”. Multiple artworks reference screen-time as worlds within worlds- a time capsule. In the installation the lenticular works are comprised of historic architecture references, and other objects relating to the domicile, international trade memes, consumerism and travel.
Mary Ann Strandell's "Transit Portal" installation, combines a 40 foot wall drawing with (12) 3D lenticular print media. She brings together historical spaces of baroque, modernism, and post-modernism. With this she considers the multiple
viewing experience as a portal, akin to our computer/network user-world with the real, the fantastical, and the virtual as a
mash-up of a quarantined social connection.SEE: "Ripple Effect" group exhibition curated by Laurie De Chiara, director of ArtPort Kingston. June 27 - Autumn, 2020
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