In the recent Mad Men series, Megan Draper works begin as paintings of stage sets from her Hollywood Hills loft. Transforming the space becomes an avatar of her residual presence, marked by the notations of images of things from films, museums, airports, objects equated to time; such as Spudnik lamps, drawing studies from Hitchcock’s North by Northwest, radars, drones, et all; "we are only located via the seismic relations to our phones; the body is an adage, a precept”. (Kwinter quote)