Hello Brooklyn!" // Techspressionism 2024
Kingsborough Art Museum
August 7 – September 25, 2024
Opening Reception:
Friday August 9, 5-7pm
2001 Oriental Blvd. Brooklyn NY
Funding provided by
PSC-CUNY Research Foundation
Curated by Tommy Mintz, Giovanna Sun, Seungjin Lee and Oceana Andries.
CUNY Kingsborough Community College, S-Building, 2001 Oriental Blvd, Brooklyn, NY 11235. Monday – Friday 10 am – 3 pm or by appointment
image: Mary Ann Strandell_ Porcelain Flower Yellow, 30x20, 3D Lenticular Media, 2022
LAYERS IN MOTION
Alyce Gottesman
• Lotte Petricone
•Mary Ann Strandell
PERRYLAWSON FINE ART
August 9 - September 29, 2024
Perry Lawson Fine Art is pleased to present Layers in Motion, featuring Alyce Gottesman, Lotte Petricone, and Mary Ann Strandell, all of whom employ layering techniques in their art to different effects.
COFFEE & CONVERSATION with the artists: SAT, September 7, 11 AM Perry Lawson Fine Art: 90 N Broadway, Nyack, NY 10960
https://www.perrylawsonfineart.com/layersinmotion-1
image: DriftI, 3d lenticular media, 48x34”, 2022
NEXT TO THE WILD:
THE SEEN AND THE DISCOVERED
Mary Ann Strandell and Michael Rees
Friday, June 7, 20245:00 PM
Sunday, July 21, 20245:00 PM
Athens Cultural Center, 24 Second Street, Athens, NY 12015
Artists Mary Ann Strandell and Michael Rees are united by marriage and their shared vocation. Pushing beyond conventional norms, they enjoy thematic connections that explore the notion of "the wild." The artists approach this concept from distinct perspectives coupled with advanced technologies such as rapid prototyping, lenticular printing, and augmented reality to bring their artistic visions into discovery.
First Friday Reception: 6/7, 5 - 7pm . Artist Talk: 7/19, 6 - 7pm
https://athensculturalcenter.org/upcoming-events/next-to-the-wild-the-seen-and-the-discovered
image: Mary Ann Strandell, Dog Patch, 30x40”, oil + oil stick on primed rag, 2017 painted on-site during the Art Residency Brydcliffe, Woodstock, NY
MARY ANN STRANDELL
TRANSIT TERRAIN
and OTHER SPATIAL NARRATIVES
Bradbury Art Museum
July 13 - August 30, 2023
Transit Terrain and Other Spatial Narratives is a solo exhibition of artwork by painter-printmaker Mary Ann Strandell. Strandell’s work reaches beyond the barriers between artistic disciplines, allowing viewers to encounter a broad variety of methods and materials—from GIF animation to ink drawing to 3D lenticular media.
Lenticular media is created utilizing a printing technique that creates an illusion of depth or movement, allowing the viewer to perceive the image changing as they move around it.
Strandell’s studio practice combines technology with history. Computer software and high-tech printing practices are used to create lenticular prints from imagery that is at times personal photography, at others internet sourced, and often references historical objects or spaces. Her other works, meanwhile, are created using older materials such as oil paint or ink. These media have existed for over a thousand and over four thousand years, respectively. Paired with newer practices, such as lenticular printing or digital collage, they mimic the juxtaposition of imagery that can be found visually in Strandell’s work: the Rococo boiserie may be found existing in the same space as the Apple Store staircase. Ming vases occupy the museum along with images of Manhattan construction.
An installation titled Reacquisition is one of the focal points of the exhibition. It is a selection of oil paintings and lenticular media arranged over the top of a large-scale, ink wall drawing. Of it, Strandell writes, “The configuration of this main installation considers the inter-changing states of historic representation placed within this contemporary moment.”
-Curator Madeline McMahan
Bradbury Art Museum
201 Olympic Drive
Fowler Center
Jonesboro, AK 72401
https://bradburyartmuseum.org/transit-terrain
“Breezeway” Installation, August 2021 to March 2022
ArtPort Kingston, NY
Originally installed for UPSTATE WEEKEND ART FAIR 2022
Curated by Laurie De Chiara
My second installation at Artport Kingston titled “Breezeway”combines ink and acrylic drawing, in situ, with a series of oil paintings and 3D Lenticular media. The large drawing is a classic 60s interior, a very retro living room with the TV screen centrally placed. The overall subject is one of comfort, a living space, not exotic but accessible. It is gracious and welcoming.The image serves as a backdrop to our societal relationship to states of quarantine and a place we might demarcate as in-between screen-time and dream-time.
The angles within the room and the picture plane reference modernist architectural feats, such as Meis Van Der Rohe’s Barcelona Pavilion which was considered an, “ideal zone of tranquility”. Multiple artworks reference screen-time as worlds within worlds- a time capsule. In the installation the lenticular works are comprised of historic architecture references, and other objects relating to the domicile, international trade memes, consumerism and travel.
Mary Ann Strandell's "Transit Portal" installation, combines a 40 foot wall drawing with (12) 3D lenticular print media. She brings together historical spaces of baroque, modernism, and post-modernism. With this she considers the multiple
viewing experience as a portal, akin to our computer/network user-world with the real, the fantastical, and the virtual as a
mash-up of a quarantined social connection.SEE: "Ripple Effect" group exhibition curated by Laurie De Chiara, director of ArtPort Kingston. June 27 - Autumn, 2020
#kingston #upstateny #arte #artsy #installation #drawing #lenticular #sitespecific #pattern #motion #optics #movement #waterfront #love #artistsoninstagram #allnighters #conversationpit #op #camping #overnight #friends #happeningnow #maryannstrandell
Trompe l'oeil (and Other Spatial Anxieties), 3-channel video installation, TRANSFER Downloads, Curated by Kelani Nichole, Minnesota Street Project, San Francisco, 2016
MARY ANN STRANDELL – ‘Tromploi’
Strandell considers the spatial anxieties within the constructs of place and nature. ‘Tromploi’ reactivates parts and pieces of her lenticular series, ‘ReMaterial’, sourced from volumes of encyclopedias, postcards, photographs, her studio paintings as well as Google image repositories.
website of the artist Mary Ann Strandell, © 1990-2021, all rights reserved.